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Divergent, by Veronica Roth
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In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can't have both. So she makes a choice that surprises everyone, including herself.
During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . .or it might destroy her.
Veronica Roth bursts onto the literary scene with the first installment in the Divergent series—dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.
Performed by Emma Galvin
- Sales Rank: #84859 in Books
- Published on: 2013
- Released on: 2013-06-04
- Formats: Unabridged, Audiobook
- Original language: English
- Number of items: 1
- Dimensions: 5.75" h x 5.25" w x 1.50" l, .57 pounds
- Running time: 660 seconds
- Binding: Audio CD
- 10 pages
Amazon.com Review
A Q&A with Author Veronica Roth
Q: What advice would you offer to young aspiring writers, who long to live a success story like your own?
Roth: One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing—the characters, the story, the words, the themes—and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don’t warp you, and when the bad things hit you, you don’t fall apart.
Q: You’re a young author--is it your current adult perspective or not-so-recent teenage perspective that brought about the factions in the development of this story? Do you think that teens or adults are more likely to fit into categories in our current society?
Roth: Other aspects of my identity have more to do with the factions than my age. The faction system reflects my beliefs about human nature—that we can make even something as well-intentioned as virtue into an idol, or an evil thing. And that virtue as an end unto itself is worthless to us. I did spend a large portion of my adolescence trying to be as “good” as possible so that I could prove my worth to the people around me, to myself, to God, to everyone. It’s only now that I’m a little older that I realize I am unable to be truly “good” and that it’s my reasons for striving after virtue that need adjustment more than my behavior. In a sense, Divergent is me writing through that realization—everyone in Beatrice’s society believes that virtue is the end, the answer. I think that’s a little twisted.
I think we all secretly love and hate categories—love to get a firm hold on our identities, but hate to be confined—and I never loved and hated them more than when I was a teenager. That said: Though we hear a lot about high school cliques, I believe that adults categorize each other just as often, just in subtler ways. It is a dangerous tendency of ours. And it begins in adolescence.
Q: If you could add one more faction to the world within Divergent, what would it be?
Roth: I tried to construct the factions so that they spanned a wide range of virtues. Abnegation, for example, includes five of the traditional “seven heavenly virtues:” chastity, temperance, charity, patience, and humility. That said, it would be interesting to have a faction centered on industriousness, in which diligence and hard work are valued most, and laziness is not allowed. They would be in constant motion, and would probably be happy to take over for the factionless. And hard-working people can certainly take their work too far, as all the factions do with their respective virtues. I’m not sure what they would wear, though. Overalls, probably.
Q: What do you think are the advantages, if any, to the society you’ve created in Divergent?
Roth: All the advantages I see only seem like advantages to me because I live in our current society. For example, the members of their society don’t focus on certain things: race, religion, sexual orientation, political affiliation, etc. I mean, a world in which you look different from the majority and no one minds? That sounds good to me. But when I think about it more, I realize that they’re doing the exact same thing we do, but with different criteria by which to distinguish ourselves from others. Instead of your skin color, it’s the color of your shirt that people assess, or the results of your aptitude test. Same problem, different system.
Q: What book are you currently reading and how has it changed you, if at all?
Roth: I recently finished Imaginary Girls by Nova Ren Suma, which I would call “contemporary with a paranormal twist,” or something to that effect. It’s about a girl whose sister has a powerful kind of magnetism within the confines of a particular town, and how their love for each other breaks some things apart and puts other things back together. It was refreshing to read a young adult book that is about sisterhood instead of romance. It’s one of those books that makes you love a character and then hate a character and then love them again—that shows you that people aren’t all good or all bad, but somewhere in between. Imaginary Girls gave me a lot to think about, and the writing was lovely, which I always love to see.
From School Library Journal
Gr 9 Up-In the dystopian Chicago setting of Roth's novel (Katherine Tegen Bks., 2011), the population is divided into five factions. Upon declaring allegiance to one of them, 16-year-old Beatrice will decide her future. Beatrice and her brother, Caleb, grew up in helpful, unassuming Abnegation, always putting others first. During her aptitude testing, a simulation probes her suitability for Abnegation, Amity, Candor, Dauntless, and Erudite. Rather than getting a clear reading of her strengths, Beatrice's result is disturbing and dangerous: she is Divergent. At the choosing ceremony, the teenager impulsively joins Dauntless, the tattooed "hellions" whose value is bravery, and who protect the community. Beatrice, now called Tris, finds she feels brilliantly alive in Dauntless, even during the brutal training. She enjoys seeing her muscles harden, testing her courage, protecting the underdog, and working her way up the ranks of recruits. Making both friends and enemies, she moves through simulations tailored to trigger her Fear Landscape. Gradually, her Divergence shows itself, allowing Tris to see that the faction-dominated world isn't as wonderful as she has been told. The likeable characters, excellent pacing, and blooming romance will have listeners hooked. Emma Galvin's youthful voice has a twinge of huskiness that lends itself to voicing both young men and women. The audiobook will be very popular, so library patrons will have to be careful considering the packaging: a lightweight box and foldout sleeves. You might want to purchase the audio download instead.-Maggie Knapp, Trinity Valley School, Fort Worth, TXα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review
“A memorable, unpredictable journey from which it is nearly impossible to turn away.”— (Publishers Weekly (starred review))
“You’ll be up all night with Divergent, a brainy thrill-ride of a novel.” (BookPage)
Most helpful customer reviews
196 of 217 people found the following review helpful.
Well written, great secrets, solid second novel
By Christina (Ensconced in Lit)
I have been eagerly awaiting Insurgent by Veronica Roth along with many other people after the startling and thrilling first book, Divergent. That book introduced us to five factions of a dystopian society, and one brave girl named Tris, who decides to join the Dauntless. It's clear by the end of the book that she belongs to the group of Divergent, meaning that she could have belonged to any one of these factions with her personality traits.
This book takes off immediately where the last one ended. At first it's a jumble of confusion, and I may have made more sense if I had reread the first one right before this one. The factionless have more of a story, and we get more fleshed out characters. I have to admit I was a little disheartened by the first half of the book. To me, it seemed like we were drifting around in Tris's bizzare guilt trip. I understood she was working through her issues but I was almost overwhelmed by the amount of pages dedicated to this. Overall, the story has a darker tone and almost gets too heavy.
However, things change when secrets start to be revealed. My absolute favorite part of the book was when we are introduced to some Erudite characters who end up being more three dimensional than Tris ever imagined. The last secret revealed made the whole book worth reading.
While I had some reservations, I thought overall this book was well written and ramped up heavily at the end. The last 25% of the book was really terrific. Just personally, I think that I liked the first book better because we are first introduced into this world that is so completely different than has been created before. However, the second book is a solid companion to the first, and I am excited to see how the story ends.
0 of 0 people found the following review helpful.
You may like it, but probably not.
By cookie_monster
I was so hopeful for this book. Divergent was pretty good, and I liked the way it left off. But this sequel is quite the let down.
I want to start with the plot because that was my biggest issue. It felt like the characters were essentially running in circles until the climax. They went on all the little journeys that didn't really develop the characters or even the plot. It was just time killing. A note that I attempted to read the third installment, and failed. My reasoning is I feel like the author had a great idea with the first book, but jumped into publishing before she had really developed the story, and then had pressure from the the publisher to pump out the next one. It's a common mistake, but it frustrates me. That is why I believe the plot is so lacking and why there is such a dive from the first book to the second.
Characters is another thing I need to vent about. Authors sometimes make the mistake of losing sight of an actual character, and just begin to use them as tools to make the plot(whatever little there is) work. That happens frequently in this book. Characters do complete 180s in personality, with the slightest of reasons, and we're just supposed to accept it. Everything you knew about characters from the last book is void here. And sometimes that can make it more interesting. Other times you see that it's really just a distraction from the author not knowing what to do next.
Now after saying that, it's not a completely horrible book. Though, I warn you, the third one IS a completely horrible book. So is it really worth your time? I don't think so, but beauty is in the eye of the beholder I suppose.
2 of 2 people found the following review helpful.
This is an extremely poor example to set for youth
By hopew
Roth should not be writing youth fiction. This book is chock-full of dysfunctional behavior. For example, Four repeatedly grabs Tris after she tells him to let her go, and she acquiesces. He verbally abuses her and then justifies it. He tells her to look weak to fit in and protect herself. This is an extremely poor example to set for youth. Skip the book and watch the movie instead: the characters are more well-developed, and their strength and courage shines through.
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